Self-Publishing: Blessings and Woes

Publishing Insights


In the article Why You Need to Become an Independent Publisher, Geoff Livingston advocates writers to consider self-publishing; he also shares the valuable things that he has learned in the process. Livingston states that the trend of independent publishing is mainly due to “retaining artistic direction, a higher percentage of profits, and the increasing lack of editorial and marketing support offered by traditional publishing houses”. He offers suggestions on producing an outstanding manuscript and marketing the book after it has been published.

Meanwhile, Joe Belanger discusses the potential disadvantages of self-publishing in his article Self-publishing risks and rewards explored. He points out that independent publishing not only means that authors must be involved in the “creative aspect” of production, but they must also make “a series of business decisions”, which possibly takes up the time that could be spent writing and even leads to unwise decision making without seeking…

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The Future of Book Publishing: Returning to Printed Word?

Yep. I never doubted it

Publishing Insights


Mike Doherty writes about Andrew Wylie in an article What is the future of book publishing? ‘Chances are things are going to work out,’ super-agent says for Postmedia News, accessible on Vancouver Sun. Wylie expresses optimism toward printed publishing in spite of the wave of digitalisation in publishing industry worldwide, saying that the world will “return to good old-fashioned books” because “the printed word lasts and lasts and lasts.”

What is so special about printed publications that makes Wylie claim it will come back into fashion? For me, printed books do have their distinctive attraction for being physical, lasting, and symbolically valuable as gifts. However, it remains uncertain whether our next generation’s reading habits will be completely overhauled by the popularisation of portable devices, leading to an irreversible overturn of publishing conventions.

Image Credit:  Matthew Sherwood for National Post

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More on Hybrid Publishers: An Innovation to Success?

Publishing Insights


David Vinjamuri presents his view in the article How Hybrid Publishers Innovate To Succeed on Forbes. He introduces the rise of hybrid publishing, who is considered to be a combination of both traditional publishers and independent authors who are digitally skilled. It is a new and controversial model of publishing in the industry, but Vinjamuri outlines three characteristics of successful hybrid publishers, including offering small advances, operating on voluntary contributors, and speeding up on product development cycle. He concludes that “agility” is the biggest advantage of hybrid publishers in their competition with traditional publishing houses and self publishers.

I agree with Vinjamuri that a fast response to the market — sometimes achieved through the use of social media platforms — can often get you in the upper hand of sales, which is one of the biggest challenges for traditional publishers, who may get stuck in the slow motion of product development cycle…

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Future of Audiobooks & Global Trends for 2015

Publishing Insights


Rosie Maynard, a Publishing student at Bath Spa University, explores the future of audiobook publishing in a module Digital Publishing. She examines the unpopularity of audiobooks among publishers (in comparison with ebooks), and claims that it may be attributed to “a lack of adequate financial return”. However, Maynard points out that audiobooks are not yet doomed because they are easy to incorporate into people’s busy lifestyles, and publishers who identify audiobooks’ potential have been attempting to overcome many hurdles. She evaluates the current situation of a few major audiobook publishers, and brings our attention to the importance or good narrators, who can “breathe life into stories”.

Additionally, Michael Kozlowski sheds light on Global Audiobook Trends for 2015. He also introduces some interesting facts and figures about the current audiobook industry, with a focus on the industry leader Audible, and shares his views on how audiobooks works  differently than e-books on a business level.

The audiobook market is still…

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Self-Publishing Reaches the Summit

Publishing Insights


Tom Chalmers talks about his experience of participating in the 2014 New Generation Publishing’s annual Self-Publishing Summit in London, and in the article Self-Publishing Reaches the Summit, he features several themes of the new trends in self-publishing, which include “starting to self-regulate” and “emphasising on quality”.

Going beyond the dichotomous argument of “traditional publishing vs. self-publishing”, the 2014 conference shifted its focus to seeking possible routes to a successful writing career. Writers seemed to start reflecting on their self-publishing experiences (and each other’s sharing) with a critical eye, “acknowledging the huge potential challenges” and hopefully preparing themselves for the tough road ahead. When commenting on the quality of self-published books, Chalmers states,

It is ultimately that and nothing else that will provide self-published writers with long and successful careers.

Finally, authors at the conference generally expressed their concerns (and possibly anxiety) about marketing, to whom Chalmers suggested that…

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Kickstarter project. Please help me make a difference by telling my story and authentic ways to help treat addiction, PTSD, bi-polar.

<Please help me tell my story, and to help others that suffer from a history of abuse, addiction and bi-polar depression. I know it says i havent backed any projects, thats just because I literally JUST joined. Im looking at projects right now. Im only asking for 1,000 dollars to be able to self-publish, produce and distribute the book myself. Please help me make a difference.kickstarter

The Bitchin’ Kitsch March 2015 Issue-50 Pager


The Bitchin’ Kitsch is truly an amazing publication. You really need to read it. I am beyond honored to have Chris put up with my writing and photography, which yes, is in this issue, the largest issue in the BK history, at 50 pages.

You need to start caring, supporting, and spreading the word about this publisher, which runs its own extremely sick ass clothing line, print service, fine art prints and broadsides, and house wear, the best designers and art army that is the Society6 collective.

Not to mention every months issue has a YouTube Edition as well.

And, the magazine is actually chuck full of work by amazing artists from all over the world. They never have a dull moment. SO READ IT. Its coming up and soon you will regret not taking my advice. Below. Click.

From a phone.

Fuck my writing fuck

My music i am actually asking

Cunts if they want to play with me

Its all fucked fuck me fuck all fuck

Life and goddamn All that is its

A piss poor race to a shit end

Not a friend but one that has pity

Fuck this city fuck sleater kinney

Fuck the cuties that dont look back at me

Fuck this blog fuck me fuck all that i dreamed

To be fuck the man i cant be and the death

Fuck life fuck jobs fuck fake friends i want to

Start over be the to laugh at weak cries that come

From me now everyone is a cunt fake caring nothing

Of now that only speaks their shit cause it is a mirror

For everyone to look good in fuck fuck fuck i cant seem to get luck in doing shame becauase im a good lay but ill cry when you dont stay in the morning though im really just a fakevi only wanted last taken picture to put in my bank the view from behind of fucking you straight through lunch see a sick fuck just your luck.

Im a miserable lonely no good piece of fucking shit

I wish i wasnt such a pussy and could just blow my head off. Regardless im not going to be around much longer. Something

Break down. Fight. Jail. You pick. Quit it all. Im a piece of shit. What happened to me? Fuck me. Goddammit. Fuck me.

365 Day Challenge – Day 12

What a great quote

Farewell Experimenta – behind the scenes of the ‘bump out’

RMIT Gallery


This week we bid farewell to Experimenta Recharge the media art exhibition that has attracted large crowds to its interactive exhibits since November, and delighted audiences on its final viewing at White Night Melbourne on Saturday 21 February.


What a contrast RMIT Gallery is on the first days after the exhibition has ended, and we de-install the artworks. The images of the bustling gallery full of people and artwork are already are fading into memory. The main photo (above, top) is what remains of Khaled Sabsabi’s work 70,000 Veils – a massive piece utilising television screens projecting images to be viewed through 3D glasses (above, with the audience, at RMIT Gallery’s White Night Melbourne event on 21 February).


The day after an exhibition ends it is always a surprise to walk into the main gallery and the magic has gone, and the space transformed. Where there were artworks and an…

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